By Claudio Lomnitz
In this long-awaited ebook, Claudio Lomnitz tells a groundbreaking tale in regards to the studies and beliefs of yank and Mexican innovative collaborators of the Mexican anarchist Ricardo Flores Magón. Drawing on large examine in Mexico and the us, Lomnitz explores the wealthy, advanced, and nearly unknown lives of Flores Magón and his comrades dedicated to the "Mexican Cause." This anthropological heritage of anarchy, cooperation, and betrayal seeks to catch the event of committed militants who themselves struggled to appreciate their position and position on the margins of the Mexican Revolution. For them, the revolution was once untranslatable, a natural yet deaf subversion: La revolución es los angeles revolución -- "The Revolution is the Revolution." For Lomnitz, the studies of Flores Magón and his comrades demonstrate the which means of this word.
The go back of Comrade Ricardo Flores Magón tracks the lives of John Kenneth Turner, Ethel Duffy, Elizabeth Trowbridge, Ricardo Flores Magón, Lázaro Gutiérrez de Lara, and others, to light up the reciprocal courting among own and collective ideology and motion. it's an epic and tragic story, by no means prior to instructed, approximately camaraderie and disillusionment within the first transnational grassroots political flow to span the U.S.-Mexican border. The go back of Comrade Ricardo Flores Magón will switch not just how we predict concerning the Mexican Revolution but additionally how we comprehend progressive motion and passion.
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Extra info for The Return of Comrade Ricardo Flores Magón
Understanding this full well and wary of the dangers of declining to the status of a mere politiquillo, a minor politician, Ricardo Flores Magón kept the revolutionary junta in Los Angeles through the entire revolutionary era. Thus, Ricardo refused to become a politician or a caudillo and preferred to safeguard the Liberal junta’s role as ideological bellwether. That decision was a gamble that sought to perpetuate the Liberal movement’s prerevolutionary situation of being at once immanent in and external to the revolutionary process.
There was a white rose climber over the side door leading from Veronica’s bedroom to the garden, and at one of her windows an ivy straggler forced its way through a gap between the screen and the window casing. 6 Indeed, the prison gate and the bleakness of the fortresslike penitentiary coexisted with a carefully cultivated wholesomeness — gardening, prison sports, school life. And Ethel’s issue with the penitentiary was not the guards’ cruelty — in One-Way Ticket, at least, those are good men, doing their jobs.
But after years of living, printing, and struggling in the United States, Ricardo no longer had the stomach for that sort of advice. His minority position — surrounded by speakers of other languages and in constant exchange with clumsy readers and writers of Spanish — had taught him a different kind of writing, at once more precarious and more vital. Venustiano Carranza, Pancho Villa, Plutarco Elías Calles, Álvaro Obregón — a ll of them avoided residence the United States, insofar as they could.