By Claire Grant
This day, questions on how and why societies punish are deeply emotive and hotly contested. In Crime and Punishment in modern tradition, Claire Valier argues that legal justice is a key website for the negotiation of latest collective identities and modes of belonging. Exploring either renowned cultural kinds and alterations in crime regulations and legal legislation, Valier elaborates new kinds of severe engagement with the politics of crime and punishment. In doing so, the ebook discusses:· Teletechnologies, punishment and new collectivities· The cultural politics of sufferers rights· Discourses on foreigners, crime and diaspora· Terror, the loss of life penalty and the spectacle of violence.Crime and Punishment in modern tradition makes a well timed and critical contribution to discuss at the chances of justice within the media age.
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Extra resources for Crime and Punishment in Contemporary Culture (International Library of Sociology)
It will be our object, therefore, to strip them of the advantages of a professional incognito, by publishing a minute description of their names, aliases, and persons; a succinct history of their previous career, their place of residence at the time of writing, and a current account of their movements from time to time. (National Police Gazette, 16 October 1845: 56) The ﬁrst edition carried a story that was in effect a marketing device, titled ‘The Invisible Pursuer’. This told the story of a brutal murder in London, made doubly awful because no clue could be obtained as to the perpetrator of the deed.
Instead of the medium of inefficient warning complained of by Mainwaring, the constable’s lamp is represented as symbolic of a relentless and inescapable scrutiny. ). An inscription on the sheets of one lodging-house, intended to deter theft, ‘STOP THIEF’, caused Dickens to indulge his imagination in a reverie: To lie at night, wrapped in the legend of my slinking life; to take the cry that pursues me, waking, to my breast in sleep; to have it staring at me, as soon as my consciousness returns; STOP THIEF!
With the intervention of the celebrity writer Emile Zola, the affair became hotly contested, and the spectacle of Dreyfus’ severe punishment was reported internationally. A huge volume of cartoons, caricatures and commentary proliferated images and ideas about the case. In this unforgettably dramatic instance of direct and mediated armed power, a range of textual practices through which the modern nation was imagined as limited and contained within ‘ﬁnite, if elastic boundaries’ is visible. In sum, the punishment of Dreyfus engaged onlookers in the negotiation of the boundaries of the nation-state.