By Countee Cullen
An immense and occasionally debatable determine of the Harlem Renaissance, Countee Cullen fused a mastery of the formal lyric with a passionate engagement with issues social, non secular, racial, and private in such books as Color, Copper Sun, and The Black Christ. definite of his poems--"Heritage," "Yet Do I Marvel"--are generally celebrated, yet a lot of Cullen's paintings continues to be found. This quantity restores to print a physique of labor of singular depth and beauty.
This is quantity 32 within the Library of America's American Poets Project sequence.
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Additional info for Countee Cullen: Collected Poems (American Poets Project, Volume 32)
Translation: After Every War: Twentieth-century Women Poets, 2004. edited text: The Making of a Poem: A Norton Anthology of Poetic Forms, 2000 (with Mark Strand). Bibliography Boland, Eavan. Interview by Patty O’Connell. Poets and Writers 22 (November/December, 1995). A lengthy conversation that ranges through Irish and American poetry, Dublin as an image in Boland’s work, her mother, and poetry workshops. Collins, Floyd. ” West Branch 52 (Spring, 2003): 108-123. Contains an excellent discussion of Against Love Poetry and a comparison of Boland and Beth Ann Fennelly.
She expresses her need to be “healed into myth” through poetry and to recover the deeply ingrained, basic “patterns” of her womanhood. The third section works negatively, upsetting traditional myths of the archetypal feminine. In “Listen. This Is the Noise of Myth,” Boland starts to recount a “story” of a man and a woman setting the stage for a traditional version of domestic order, but she becomes self-conscious and critical, calling her own methods into question, making her characters—especially the woman—into “fugitives” from their traditional roles.
West Branch 52 (Spring, 2003): 108-123. Contains an excellent discussion of Against Love Poetry and a comparison of Boland and Beth Ann Fennelly. Constantakis, Sara, ed. Poetry for Students. Vol. 31. Detroit: Thomson/Gale Group, 2010. , ed. Contemporary Irish Women Poets: Some Male Perspectives. : Greenwood Press, 1999. Enthusiastic responses by male critics to a wide range of Irish women poets include two strong essays on Boland: Thomas C.