Beyond Postprocess by Sidney I. Dobrin, J. A. Rice, Michael Vastola

By Sidney I. Dobrin, J. A. Rice, Michael Vastola

Beyond Postprocess offers a energetic, provocative dialogue of postprocess conception in its modern profile. Fueled by means of anything like a basic refusal to work out writing as self-evident, reducible, and simply explicable, the members reconsider postprocess, suggesting that there's no simply outlined second or procedure which may be referred to as postprocess. as an alternative, each one contribution to this assortment presents a special and significant instance of what paintings past postprocess may perhaps be.

in view that postprocess conception in writing experiences first challenged conventional conceptions of writing and the topic who writes, advancements there have persevered to push theorists of writing in a few promising theoretical instructions. areas for writing have arisen that considerably adjust ideological notions of house, rational pondering, highbrow estate and politics, and epistemologies; and new media, electronic, and visible rhetorics have more and more complex the scene, as well.

participants to Beyond Postprocess re-evaluate writing and writing stories via posthumanism, ecology, new media, materiality, multimodal and electronic writing, institutional critique, and postpedagogy. during the vigorous and provocative personality of those essays, past Postprocess goals to supply a serious web site for not anything under the vast reevaluation of what it ability to review writing this day. Its polyvocal issues and conclusions make investments the quantity with a distinct capability to explain no longer what that box of research will be, yet what it has the skill to create. The imperative function of Beyond Postprocess is to unharness this artistic power.

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Extra resources for Beyond Postprocess

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Post-process theory: Beyond the writing-process paradigm. Carbondale: Southern Illinois University Press. Miller, Susan. 1992. Writing theory : : Theory writing. In Methods and methodology in composition research, edited by Gesa Kirsch and Patricia A. Sullivan, 62–83. Carbondale: Southern Illinois University Press. ———. 2002. Writing studies as a mode of inquiry. In Olson, 41–54. Carbondale: Southern Illinois University Press. North, Stephen M. 1987. The making of knowledge in composition: Portrait of an emerging field.

What we conventionally call the writer—the individualized, transcendent agent— cannot actively interpret a writing scene as much as merely participate in the fluid, temporary occurrences between various writing instances. Instead, the contingency of any writing instance enables interpretation to be an ethical and epistemological requirement of logos, not writer. Here, Derrida’s analysis of Freud’s breakthrough is again helpful. “Writing,” claims Derrida, “is a system of relations between strata: the Mystic Pad, the psyche, society, the world.

As such, profession is accompanied by a related personal virtue, altruism, the attitude, I contend, that should guide the writer’s intentional attitude toward the reader. 32 b e yond postproc e ss The Writer’s Intentional Attitude toward the Reader To propose that student writers should regard their intentions toward the writing situation as an act of altruism carries with it considerable risk. Philosophically, we can engage in numerous arguments against the very possibility of altruism, from biological arguments about self-preservation to utilitarian arguments that we always act out of self-interest.

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