By Dianne Gaspas-Ettl, Coloring Books
Included are ready-to-color illustrations of an impressive giraffe at a water gap, a matriarch and herd of African elephants, a cheetah with its younger on an deserted termite mound, a yellow-winged bat amid the blossoms of the baobab tree, village weaverbirds' nests placing from umbrella acacia, and lots more and plenty extra. Descriptive captions accompany every one representation, making a choice on topics by way of universal and Latin names and in short describing the environment.
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during this surprisingly wide-ranging research, spanning greater than a century and overlaying such varied sorts of expressive tradition as Shakespeare, important Park, symphonies, jazz, paintings museums, the Marx Brothers, opera, and vaudeville, a number one cultural historian demonstrates how variable and dynamic cultural limitations were and the way fragile and up to date the cultural different types we've discovered to just accept as usual and everlasting are.
for many of the 19th century, a wide selection of expressive forms--Shakespearean drama, opera, orchestral track, portray and sculpture, in addition to the writings of such authors as Dickens and Longfellow--enjoyed either excessive cultural prestige and mass attractiveness. within the 19th century americans (in addition to no matter what particular ethnic, type, and neighborhood cultures they have been a part of) shared a public tradition much less hierarchically equipped, much less fragmented into quite inflexible adjectival groupings than their descendants have been to adventure. by means of the 20th century this cultural eclecticism and openness turned more and more infrequent. Cultural area was once extra sharply outlined and not more versatile than it have been. The theater, as soon as a microcosm of America--housing either the full spectrum of the inhabitants and the total variety of leisure from tragedy to farce, juggling to ballet, opera to minstrelsy--now fragmented into discrete areas catering to certain audiences and separate genres of expressive tradition. an identical transition happened in live performance halls, opera homes, and museums. A starting to be chasm among "serious" and "popular," among "high" and "low" tradition got here to dominate America's expressive arts.
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Extra resources for African Plains Coloring Book
The distribution of film reels for the Panoram was exclusive to the Soundies Distributing Corporation of America, which released nearly two thousand Soundies during the company’s seven years of operation. Yet even early press lauding the Panoram as the next sure thing expressed some reservations about the quality of the product. ”8 Indeed, novelty and topicality were the primary operatives of the Soundie, with vaudeville-style acts, burlesque numbers such as Sally Rand’s “The Bubble Dance,” a flurry of numbers related to World War II, and comedy titles such as “Who Threw the Turtle in Mrs.
Some of these shorts are indistinguishable from Soundies in terms of their props, costuming, and lyric-based scenarios. Many telescriptions, however, filmed and recorded sound simultaneously in simple studio settings, resulting in significant shifts in tone and address. “Home,” a Snader Telescription by Nat “King” Cole feels markedly more intimate than some of his more elaborate Soundies; the tracks appear to be recorded directly, and the bare set and close camera work resemble a live televised performance.
Scopitones was far smaller than that of the French; artists included Debbie Reynolds, Nancy Sinatra, Neil Sedaka, Lou Rawls, Della Reese, January Jones, and the Hondells. The industry response to Scopitones, as to Soundies, often contained thinly veiled skepticism. 32 In an explicit attempt not to challenge the domain of the music-only jukebox, Scopitone avoided appeals to the burgeoning youth market. As Billboard assessed Harman-ee’s strategy: Programming is based on the theory that the machines will be placed in adult locations and that grown-ups want to hear familiar artists singing familiar songs.